Showing posts with label Tilda Swinton. Show all posts
Showing posts with label Tilda Swinton. Show all posts

Thursday, 3 November 2016

Review: Doctor Strange (2016) Spoiler Free

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I spend so much time complaining about how long the UK has to wait for a lot of theatrical releases, so when it was announced that we were getting Doctor Strange early I made sure to take full advantage and see it in the first week! That said, I wasn’t sure how to feel about the movie before I went. There’s no escape from superhero movies lately, and I knew quite literally nothing about Doctor Strange. Turns out I just need to accept the fact that Marvel doesn’t make bad movies! I promise to keep this spoiler free.

Dr. Stephen Strange (Benedict Cumberbatch) is a fantastically skilled neurosurgeon, albeit fairly arrogant and cocky. A horrific car accident leads to Stephen damaging the nerves in his hands, leaving his career and mind in tatters. He learns of a miracle case where a man paralysed from the waist down learned to walk again, which brings Stephen to leaving his love interest Christine (Rachel McAdams) behind and travelling to Kathmandu. Here he meets Mordo (Chiwetel Ejiofor) and the The Ancient One (Tilda Swinton), who teaches him the ways of mystic arts.

First of all I have to say, if you get the chance to see this in IMAX, go for it. It’s rare that I even bother with 3D but I heard on the grapevine that Doctor Strange had some intense visuals, and I was so glad I listened. It’s mind bendy as hell, guys. I want to use the words ‘visually stunning’ but that’s normally my get out clause for a bad movie. You know, ‘the plot wasn’t great, but it was at least visually stunning’. Whatever the next level up from stunning is, this is it. I honestly feel like it’s a game changer in that department. I spent the whole of the opening sequence with my jaw on the floor.

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Doctor Strange himself is a difficult character to warm to, he’s often rude and disrespectful, like a cross between Tony Stark and Benedict’s own Sherlock Holmes. That’s his nature though, and you really do see his character develop throughout the movie. Tilda Swinton is another stand out star here, there’s a lot of depth to her character and she surprisingly has quite a few funny moments. I haven’t seen much of Chiwetel Ejiofor but he shines on screen too, and you feel the moral struggle that he goes through. Mads Mikkelsen is a fantastic bad guy, but really, what did you expect?

Another reason I was wary of Doctor Strange was that it didn’t seem to have the potential for the amount of humour that Marvel packs into it’s movies so well (take note, Suicide Squad). However, although it isn’t the funniest movie in the Marvel universe, there were plenty of laugh out loud moments that were unexpected. The ever stone faced Wong (Benedict Wong) brings a lot of laughs, but oddly enough it’s Doctor Strange’s Cloak of Levitation that steals the limelight here!

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I found the plot quite complex (I have a simple mind, though) and it had a few twists that I didn’t see coming. I’m certainly looking forward to seeing it again to fully get my head around the spiritual-ness of it.

My only real criticism would be the speed that the movie moves through the section of Strange training in Kamar-Taj. It can be forgiven, as this is an origin story with a lot of content to go through, but it looked so much fun. You still felt the passage of time through the changing outfits (which were all stunning), but I’d have loved more time during that part.

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As always, stay till the very end of the credits when you see this. It pains me to see so many people getting up and leaving as soon as the credits roll, and then another wave leave after the mid credits scene. You’ve sat there for 2 hours guys, 5 more minutes won’t kill you! 

I am VERY excited about the mid credits scene, my mind wanted to explode at the possibilities of where Doctor Strange fits in with the other Marvel characters. Very excited indeed!


Thursday, 28 July 2016

Review: Hail, Caesar! (2016)

Picking a movie as my ‘Looking Forward to this Month’ choice each month seems to put some kind of curse over it, meaning I don’t even get to see it at the cinema. How does this keep happening?! Hail, Caesar was my choice for March, and I think I had 3 different occasions planned to see it, all of which got cancelled on the day.

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I’ve been excited for this since the trailer first came out last year. I think I was on a bit of a George Clooney hype, and the addition of Channing Tatum was too much for me to take. Then I watched (and loved) Inside Llewyn Davis and decided from that point I was a Coen Brothers fan. Still haven’t sat through the whole of Bridge of Spies, though…

So, the plot is fairly simple. This movie is about a guy who makes movies! Eddie Mannix (Josh Brolin) runs the joint, and spends every living moment of the day solving problems within the studio. Things go a little more pear shaped when his leading star Baird Whitlock (George Clooney) goes missing. 

I think even if you didn’t enjoy the movie itself, you have to appreciate how beautiful it is to watch. If the film world in the 1950’s really is this colourful, then sign me up! It’s greatest strengths are ultimately its greatest weakness, sadly. A lot of the movie is filled with snippets behind the doors of different sets. We see Scarlett Johannson put on an incredible synchronised swimming act, and Channing Tatum dressed as a sailor, dancing on tables. I mean come on, what more could a girl want? The only problem is that most of these acts have nothing to do with the plot of the movie at all.

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That sounds harsh, especially when I really enjoyed watching Hail, Caesar! It’s just that I hyped it up so much in my head, I was thinking of placing it next to Fargo on my hypothetical shelf. And it definitely doesn’t deserve a place up there. Although the twist is takes is unexpected, it takes a weird, political turn that kind of bored the pants off me. I don’t do politics. Or history. Sorry.

By far, the star here was Hobie Doyle, played by Alden Ehrenreich, as the young actor, famous for his Westerns, that is suddenly thrown into a highbrow drama, directed by the ever patient Laurence Laurentz (Ralph Fiennes). Would that it were so simple...It doesn’t matter how many times I watch that scene, it will be hilarious every single time! I heard Alden is in the running for playing a young Han Solo? Don’t let Jenna know but I think he would be great!


All in all, and despite sounding negative, I really did enjoy this. I was just my own worst enemy and hyped it up too much. It’s not the best Coen Brothers movie out there, but as a fan of quirky humour, this was definitely my cup of tea.



Friday, 17 June 2016

Review: Moonrise Kingdom (2012)

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When I watched The Grand Budapest Hotel last year, I had to admit it was the first Wes Anderson movie I’d seen. I remember a good few of our blogging buddies recommending Moonrise Kingdom to me, and I’m just sorry it’s taken me quite this long to give it a go! After exposing myself to more action moves than I could handle, I was ready for something quieter, and this was the perfect choice.

Moonrise Kingdom (2012) is a beautiful story of young love. Sam (Jared Gilman) is a member of the Khaki Scouts, extremely skilled but liked by no one. He lost both of his parents and currently lives with foster parents, who he has difficulty with. Suzy (Cara Hayward) is a troubled young girl whose parents don’t know how to deal with her. Together, they decide to run away, which sparks a huge search party to look for them.

I now understand the skill that others have in spotting Wes Anderson’s work so quickly. The colourful characters, camera shots, fancy title opening, even the colour yellow, after watching just two of his movies these things are already standing out to me. It’s really quite fascinating. That said, I loved The Grand Budapest so much that I had really high hopes for Moonrise Kingdom, and I wasn’t let down.

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We can all sympathise with Sam and Suzy. When you’re 12 years old, it’s easy to fall in love with someone, and feel like the whole world is against you. In fact, he won’t thank me for this, but when one of my brothers was younger than Sam, he proposed to his girlfriend on the school playground, and they vowed to get married when they were old enough. It didn’t happen, but they remained very good friends!

Moonrise Kingdom had a great mix of a being a heartwarming, relatable story, but with just enough exaggeration to make it exciting, like Scout Master Ward (Edward Norton) leaping an impossible distance, and Sam surviving being struck by lightning. It’s like how we all tell our own stories, making certain moments more heroic or dramatic to make them more interesting.

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The star studded cast just added another element to the movie. Captain Sharp (Bruce Willis) is a compassionate man who just wants the best for Sam, despite barely knowing him. Scout Master Ward (Edward Norton) provides most of the comedy as the bumbling leader who can’t control his scouts. Mr Bishop (Bill Murray) is the classic grumpy Dad who argues with authority. Mrs Bishop (Frances McDormand) is the perfect worrying, struggling mother, and last but not least, the Social Services lady (Tilda Swinton) is cold and heartless. Just a great cast all round!

I’m so glad I finally watched Moonrise Kingdom, and now I’m on the lookout for my next Wes Anderson movie. Can anyone recommend one for me?


Sunday, 5 April 2015

Review: Only Lovers Left Alive (2013)

The other night I really felt like a Tom Hiddleston film, and I’d heard a lot of good things about Only Lovers Left Alive. I think what intrigued me the most was that it was a romantic vampire film which couldn’t be further away from Twilight. I was forced to watch this one alone, my other half wanted to nothing to do with this!


Only Lovers Left Alive tells the story of Adam (Tom Hiddleston) and Eve (Tilda Swinton), two married vampires. They currently live apart, and Adam is suffering terribly from depression. Eve comes to visit him, and life gets better again for Adam, until Eve’s sister Ava (Mia Wasikowska) comes to visit un-invited. In fact, this is the whole plot line, when you actually sit and try to explain it, not an awful lot actually happens in this film!


Adam is a famous musician who lives in a flat, trying to keep himself to himself. He has just one friend, Chekov Ian (sorry) who is nothing but loyal and runs all sorts of errands for Adam, who he admires. Adam is extremely talented, but only leaves home to visit a dirty doctor to get a blood supply from him. It’s incredibly sad watching Tom Hiddleston play this character, I really felt the depression that Adam was suffering. His wife Eve couldn't be more different, she seems to find joy in everything around her. The contrast is clear enough on it’s own but it’s also reflected through their clothing. Adam is always in very dark outfits whereas Eve is normally wearing white.


Although I enjoyed Adam & Eve’s reunion, the story started to slow until Eve’s sister, Ava was introduced. She brought in a lot of noise to an otherwise quiet film, but she definitely needed a slap! As much as her character was unlikeable, I loved watching her and I’m really impressed with Mia Wasikowska as an actress. One thing I really loved about the film was the soundtrack, which fit perfectly. I had Adam’s song stuck in my head for hours after watching it, and I’m humming it to myself now as I type this.

I wasn’t certain how the film would end, I had a gut feeling that there wouldn’t be a conclusive finish but I wasn’t expecting the actual ending. It was quite simple in itself, but haunting when you really think about it. It was perfect, actually.


Only Lovers Left Alive is a film like nothing else I've seen before. It met my expectations and more, although I just wish there was a more detailed plot.


Tuesday, 10 February 2015

Review: The Grand Budapest Hotel (2014)

I saw the trailer for this a million times and my Dad told me it was brilliant but I just wasn't interested.  However, I was limited on choice on a flight so I thought I would give it a go and I am so glad I did.

I remember seeing the trailer at the cinema ages ago and my reaction being 'I HAVE to see this when it comes out!'. Then, as always, I just didn't have the time, and since then I've kept putting it off. I'm glad I finally gave it a chance!




This is the brillaint story of Gustave H (Ralph Fiennes) a concierge at the famous Grand Budapest Hotel and his trusted friend and colleague Zero Moustafa, the lobby boy (Tony Revolori) through the dramas of theft (and recovery) of a priceless painting and the fight for a huge family fortune.





This is like no other film I have ever watched, although I don't think I have been a fan of Wes Anderson's work before so maybe that's why this was so unique and new to me.  The story was truly insane and crazy but it was made brilliant by Ralph Fiennes and Tony Revolori unique chemistry on screen, they we're really hilarious together.  In fairness, I think everything that was supposed to be serious in this film actually made me laugh, it was so deadpan!

This is the first thing I've seen of Wes Anderson's so I didn't really know what to expect, but I really loved it. The humour is brilliant in my eyes, although I can understand that others just wouldn't enjoy it at all. I may be making a silly comparison here but the film was almost a little Monty Python-esque, or at least I thought it was! 





It wasn't just Fiennes and Revolori that made this film, the ensemble cast from Jude Law to the yet again unrecognizable Tilda Swinton and too many cameos to count were all brilliant and the change of point of view kept the pace of the film up (although wouldn't be required).  The settings and set design were amazing, I found myself looking at the background in every scene to see what they had done, it looked like cartoon come to life.


I loved every member of the cast, and the cameos made me light up too. Perhaps it's a good job I didn't go to the cinema, I don't think anyone would appreciate me jumping out of my seat to shout 'BILL MURRAY' at the screen...



In all honesty, a really difficult film to review but brilliant nonetheless.  You have to see it for yourself to believe it.

The Grand Budapest Hotel was clever, colourful, and so funny, but it's not for everyone!









Friday, 29 August 2014

Review: Snowpiercer (2013)

Out of the blue, my Blogger feed started to fill up with reviews for Snowpiercer. I'd never heard of it before but everyone's reviews were great and when I researched the film a little, the story behind it's release fascinated me, so I knew I needed to see it. I'm writing this while Jenna's on holiday so you'll see this after the hype, but still!

To be fair, the hype appeared to still be alive and kicking when I got back.  I hadn't even heard of this until seeing it on various blogs (gotta love the power of the film blogging community!!).  Anywho, I got on my latest flight and as soon as I saw this and I didn't even bother looking through the other menus!


Snowpiercer is based on a French graphic novel called Le Transperceneige in 1982. The film itself starts in the present day, where an experiment planned to stop the Earth's global warming caused the whole planet to freeze, and wipe out all humans. The only survivors are on a high-tech train called Snowpiercer, and over the years a class system has formed where the wealthy live at the front of the train in luxury, and the poor are left to the slums.

It's been a while since I've been so gripped to a film just by it's plot summary. I knew when I read it that this film would be right up my street.  I knew nothing of what this film was about, honestly from the poster I thought it was a war film (I had avoided all reviews to limit spoilers) and to be honest I'm glad I did because I went into this with no expectations whatsoever.


No surprises here, but I really struggled with the first 20 minutes of Snowpiercer. It just seemed to throw everything at me and I couldn't work out who was who, what was going on or what had gone on in the past that they were talking about, and I had to really sit and concentrate to understand the situation. That seemed to be a running theme for me actually, but as the film went on, a lot of my questions were answered. 

I loved that it took no time at all to get into the story, within the first few minutes you could see this was going to approach to subject of social status.  The characters were amazing, Chris Evans was great in this particularly serious role and Tilda Swinton in (what probably shouldn't have been) a comedic role.  It took me most of the film to work out who she was because she looked so different!! 

At the time I didn't realise Snowpiercer was based on a graphic novel, but if I did I would have appreciated the eccentric characters a little more, as they left me baffled when I was watching it. Minister Mason and Teacher were absolutely fantastic, and I'm not sure if the audience are meant to find humour in their characters but I laughed out loud during some of their scenes!

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It was also refreshing to see Chris Evans play a more serious role, and he absolutely smashed it. In one of the last scenes, during his speech outside the door to the engine room, I really wanted to cry for his character.  Oh that scene got me fighting back the tears but also feeling a bit queasy! 

The beginning of this film seemed like a typical action, 'fight against the man' type of film where you root for the lower class protagonist and instantly hate the 'leader'. But the more the film went on the more it started to become more political with more focus on the differences in social status and human nature in the world.  They have shrunk the worlds 'issues' down to one train in an effort to highlight these factors in much stronger ways, which in some parts became horrific (Curtis' final monologue) and other times extremely comical (Alison Pill's amazing singing teacher).  I actually found myself feeling a bit sad when the film had finished, it's much harder to ignore the social issues in our world when they are played out on such a small scale right in front of your eyes!

If you've never heard of Snowpiercer, check out the trailer below:


I'm so glad I gave this film a chance, and I want to watch it again sometime soon because I think I'll appreciate the creativity a lot more the second time round. I wouldn't recommend this film to the general audience just due to its complexity, but watching it was a truly unique experience.

I don't think I would want to watch this again, don't get me wrong I loved it but it left me with an uneasy feeling of how the world might end up, that I don't overly want to think about again.  Ignorance is bliss I say!