This is the one I’ve been waiting for! I haven’t been enjoying the Oscar movies as much as I hoped I would this year, but every time I’ve gone to the cinema I’ve gotten a little more excited for Spotlight. We’ve had to wait for it for so long in the UK! I wasn't even remotely looking forward to this for two reasons, I had a feeling the story was going to stay with me for a while (I wasn't wrong!) and it seemed very talky, I wasn't convinced it was going to hold my attention.
Spotlight is the retelling of the true story of how the Boston Globe’s Spotlight team uncovered the horrendous scandal of child molestation within the Catholic churches, and the cover ups that came with it. It’s one of those movies, just like The Big Short, that covers a real life story that I’m aware of, yet know very little about, which is what made both so appealing to me.
I’m writing this the day after watching Spotlight, and I honestly don’t know where to start. I didn’t sleep well, it played on my mind that much. I’m growing a bit of a fascination with journalistic movies, having watched Zodiac and Nightcrawler most recently, so this was right up my street. I was enthralled within the first 10 minutes, the big offices of the Boston Globe reminded me of somewhere I used to work, and the leaving speech just brought back happy, but cringey memories.
I think what helped was the casting choices for the main Spotlight team. They’re all such likeable characters, with genuine chemistry, and it honestly felt like I was watching a documentary about a team that had been working with each other for years, rather than a movie. Each of the characters begins their year-long investigation with professional courtesy, but as the story unfolds and the scandal grows, you can see it affect each of them on a personal level, and it’s in the second half when the tensions are running higher that you see just how well they can all act.
I really loved the fact that you bought in to every single character without having to spend ages delving into their personal lives, there was the odd passing comment about their lives here and there, Mikes marriage problems for example. The film was completely focused on the investigation and the victims, this made it all the more difficult to watch for me, normally when a film is unsettling, I will focus on the other mini stories that are running through it. This didn't have that option so you had no choice but to concentrate on the traumatic experiences of these victims.
I really loved the fact that you bought in to every single character without having to spend ages delving into their personal lives, there was the odd passing comment about their lives here and there, Mikes marriage problems for example. The film was completely focused on the investigation and the victims, this made it all the more difficult to watch for me, normally when a film is unsettling, I will focus on the other mini stories that are running through it. This didn't have that option so you had no choice but to concentrate on the traumatic experiences of these victims.
Behind my awe however, lay an unsettling feeling of sorts. It’s so uncomfortable to listen to the stories of the survivors and victims of abuse. It’s one thing to read about it, but to hear someone say it out loud, it made me feel nauseous. There’s one scene in particular where Sacha (Rachel McAdams) is talking with a survivor as they walk through the town, straight past a huge church, with a children’s playground right in front of it. That’s an image I won’t be forgetting for a while.
Although it was already in the trailer, so I'd heard it before, there was a line of Michael Keaton’s that just stood out for me from everything else. “We got two stories here: a story about degenerate clergy, and a story about a bunch of lawyers turning child abuse into a cottage industry. Which story do you want us to write? Because we're writing one of them.” That was such a turning point! There were some great lines in this film that really drew an impact but for me it was all about Mark Ruffalo, I can see why he is up for Best Supporting Actor at the Oscars. The way he delivered each and every line showed every inch of emotion that the real Mike Rezendes must have felt. This one stood out for me "It's time! They knew and they let it happen! To KIDS! Okay? It could have been you, it could have been me, it could have been any of us. We gotta nail these scumbags! We gotta show people that nobody can get away with this; Not a priest, or a cardinal or a freaking pope!"
Just over 2 hours passed, and as the final words came onto the screen, I felt a rush of different emotions. Disappointment, firstly, that this movie was over already. I didn’t know where the time had gone. Then came anger and disgust at the reality of the story, that lingered with me as I went to bed. Then, the morning after, or now, as I type this, amazement at just how brilliant this movie is. Those final words on the screen literally broke my heart, it was horrifying to think of how many people were effected by the church and the subsequent cover ups.
