Showing posts with label Gillian Anderson. Show all posts
Showing posts with label Gillian Anderson. Show all posts

Monday, 28 November 2016

The Fall: Season 3

After waiting what felt like 2 years (it might have actually been that long) for Season 3 of The Fall, I never even watched it at the time it was shown on TV. Doh! Talk about double standards. I started watching BBC’s The Fall not long after is started in 2013; it came onto my radar when a bunch of whingers complained about the violence in it. What is it about a show receiving complaints that makes it so irresistible? Maybe it was a ploy all along. Plus, Jamie Dornan was the lead and with the rumours going round that he was playing Mr Grey in Fifty Shades, I wanted to see what he was all about.

If you’ve never heard of The Fall, let me fill you in a little. It’s a British Crime/Drama, a cat and mouse game between the police, led by Stella Gibson (Gillian Anderson) and serial killer Paul Spector (Jamie Dornan). Spector has a career as a grief counselor with a wife and 2 children back at home, but in his spare time he preys on women and murders them in unsettling ways. That’s as far as you need to go if you haven’t seen Season 3 yet, the rest of this post is going to riddled with spoilers.

the-fall-season-3-paul-spector

Season 2 ended with Spector being shot whilst in police custody, and it was questionable whether he would survive the ordeal when the credits rolled. I liked this ending, and although it would have been a shame if Spector died from the attack, I could envisage how the rest of Season 3 would go. It seemed reasonable to assume he would live, but when Jamie Dornan started promoting the new Season a few weeks before it returned, he told everyone that Spector was going to survive, and that took the edge off a little. Why tease us if it was that obvious?

Episode 1 was arguably more difficult to watch than some of the actual murder scenes. There’s a reason I don’t watch shows like ER! The entire episode was dedicated to the hospital staff trying to save Paul Spector. Interesting, but it was unnecessary to drag it out an entire hour. Of course, the big twist here is when Spector wakes up, he has amnesia, and thinks it’s 2006. I’ll admit, I didn’t see this coming, and it was quite exciting to see how this would change the investigation.

the-fall-season-3-stella-gibson

From there however, everything blurred into one, long episode. There were plenty of new plot points opened up, how Spector’s babysitter Katie (Aisling Franciosi) was going off the rails, how Spector’s poor wife Sally Ann (Bronagh Waugh) was driven to attempt to kill not only herself but her children, and the case being built by the scumbag lawyers against Gibson. The problem is, as interesting as those points were, they got scrunched up and thrown into the trash with that ending.

I haven’t been so mad about a TV Show's ending since Dexter. It’s not the fact that Spector died, it’s the fact that so much story got abandoned in the process. It made the entirety of Season 3 pointless.In the end, I felt much like Gibson. Tired. I even read today that the writers aren’t sure if that’s the actual ending or not. So there might yet be a Season 4! Well, at least a new Season of Fargo is around the corner to fill this void in my life.

Saturday, 7 March 2015

Review: How to Lose Friends & Alienate People (2008)

Just a couple of weeks ago, me and the other half were talking about The Three Flavours Cornetto trilogy and it reminded me of how much I actually love Simon Pegg as an actor. I sort of forget about him and then when I see him in something, I'm reminded of how great he is. It's now turned into a bit of a game to try and watch all of his films. So, we sat down last weekend and watched How to Lose Friends and Alienate People.


How to Lose Friends & Alienate People is based on a memoir written by Toby Young. The film tells the story of Sidney Young (Simon Pegg), who runs an alternative magazine in Britain called Post Modern Review. It pokes fun at celebrities who are media obsessed, and strays away from trends. One morning Sidney gets a call from the editor of Sharps magazine (Jeff Bridges), possibly Post Modern Review's biggest threat. Sidney is offered a job there and he leaps at the opportunity, leaving his old life behind and starting fresh in New York. When he arrives he meets Alison (Kirsten Dunst) and the rest, well, you'll have to watch it to find out.

I was a little apprehensive about this film at first, I mean, Simon Pegg as the lead role in a romantic comedy?  It didn't really make much sense. However, that crazy opening scene with him, James Corden and Chris O'Dowd just dissolved those thoughts instantly. It just gave me that warm, British comedy fuzzy feeling!


However, once it all moved to New York, I really felt that the film lost its charm a bit. I wish I could elaborate further on this, but honestly it was just a weird vibe I got. It might have had something to do with Megan Fox's character, who irritated me immensely. I could never call myself a fan of Megan Fox anyway, but honestly I wanted to scream at the TV whenever Sidney showed any kind of interest towards her.

Again, I'm not a massive Kirsten Dunst fan either, but I liked her in this and I rooted for her to the bitter end. Jeff Bridges was brilliant, as always. I actually refused to believe that it was him when I saw his character, because I don't think I've ever seen him without a beard! Another acting highlight for me was Gillian Anderson, who admittedly I have only ever seen in the BBC show The Fall. She really stole the limelight in her scenes and was a truly interesting character to watch.



Simon Pegg was the ultimate highlight though, who completely proved me wrong and absolutely nailed his part. His character really developed throughout the film, and although he made some terrible choices that you wanted to shout at him for, he learnt his lesson and got everything that he deserved, both good and bad.

So in conclusion, this was an interesting but totally obvious story. It would have been a really forgettable film if it weren't for the cast, who were excellent minus Megan Fox. In fact, without her, it may have even been a great film. Sorry Megan.